Red Planet This movie ate my balls. No really, I used to have balls until I saw this movie, and then some killer robot ate them. Oh sure, in the past few days I have witnessed such horrors as Bruce Lee's "Fist of Fear, Touch of Death," and Jackie Chan's "Young Tiger," but those movies really had no chance. They were low-budget, poorly-acted affairs. Red Planet, however, had everything going for it: big budget, good actors, Carrie-Anne Moss's buttocks, and all the possibilities of Mars.

What we did we get? Add one part "killer robot" flick, one part murder mystry (with no mystery), one part "Castaway," one part "Alien," a sparkling of Earth Two or "Lost in Space," and mix in all the BAD parts of 2001 and 2010 and you have this movie.

What "Red Planet" really tells me is that making a movie script by committee is not a good idea. I know for a fact that some a55h0l3 producer at one point said, "you know this movie isn't exciting, let's add a KILLER ROBOT."

Luckly I did not pay for the DVD, nor the movie. The entertainment value of sitting around with friends saying, "There is no way that she could catch him while she is going 100s of kilometers an hour" was almost worth the pain.

Although maybe I should have been doing something more productive, like reading or draining my spleen.

-- by Engel

Memento This may contain spoilers, but no ending (or in this case, no middle) is revealed!!! In keeping with Arcterex's precedent, I'll make the font white so that you have to highlight text to see it. In a recent discussion with Fozbaca, he asked where all the fun on the Net went (Where did the fun go?) His point was that he hadn't seen much online recently that he found innovative or intriguing...or just plain fun. Memento is just one of the films that I used to illustrate my assertion that creative, imaginative media is increasingly being moved off the web and onto the big screen where the money is. While the Hollywood machine still manages to crank out the same ole crap (which most of us are still eager to shovel in with a big grin), I have been pleasantly surprised to see a fairly steady stream of genuinely good cinema, including some really novel filmmaking. Memento is part of that stream.

The basic plot of this film is pretty consistent with any number of post-traumatic vigilante movies. Horrible thing happens to man's wife, crime goes unsolved, man devotes every ounce of his energy to avenge the misdeed. However, in Memento, the plot is overrun by one major twist...our protagonist has a condition where he can't make new memories. This of course throws a pretty big monkey wrench into his detective work, and he's forced to resort to extreme measures to solve the puzzle. Annotated Polaroids, notes, and a smorgasbord of tattoos which help him unravel the mystery from beginning to end each day, occasionally adding a little more to the picture.

But so far, all we have is an interesting (OK...very interesting) spin on a fairly overused story. What really makes this movie shine is its presentation. Memento is shown in short vignettes that, when pieced together, give you the whole story. Some excerpts fit together in chronological order, while some have to be put together backwards. The distinction is made easily by switching from black & white to color (the color sequences happen in reverse order). So we begin the movie with the ending, followed by the beginning vignette, and gradually work our way to the middle. Not until then is everything revealed. What results is a real puzzler for the audience, who is generally as clueless as our memory-challenged protagonist.

Said protagonist, Leonard Shelby, is played by Guy Pearce (most notably from the masterful L.A. Confidential). He brings an amazing level of calm insanity to this film. He's the clean-cut hero seeking justice...an image which begins to tarnish a bit as we discover the tattoos which cover his body (reminiscent of the vengeance driven madman played by Robert DeNiro in Cape Fear. Along to help him (or maybe to help themselves) are Natalie and Teddy, played by Carrie-Anne Moss and Joe Pantoliano, reunited on screen after their work in The Matrix. The performances are solid all the way around, but it's Pearce who shines in this one.

Select below for more with potential spoilers.

So we accompany Leonard (don't call him Lenny), on this Odyssey through a world that's always changing. Every little clue, every scrap of information alters our perception of the truth. Clues which meant one thing yesterday mean something entirely different today, but Leonard is not impaired with the paradigm shift, since he can't remember yesterday anyway. Watching people take advantage of his condition was sufficiently distressing to make my wife leave the theater, unable to watch people use him the way they did. But by the end (middle), we have long since begun to wonder if Leonard is any better than the hotel clerk who rents him multiple rooms because he knows that Leonard won't remember that he already has one. And just how much can a man who has such a severe short-term memory problem trust his that lasting memories are accurately guiding him on a true quest?

Memento may be hard to find in theaters. It took quite some time after its release to get to theaters in my area, but it can still be found showing in places. But the search is worth it, even if you have to drive a bit out of the way to find it. If you're tired of films playing to the lowest common denominator of intelligence, you owe it to yourself to see this movie.

Crouching Tiger Hidden Dragon Having waiting till this movie was almost finished its run, I ended up almost missing it. Although everyone else here at work has no idea what I am talking about when I mention the movie, I thought it was great. The special effects during the fight sequences were magnificient, if you are into the mystical side of martial arts etc then they are believable. Even the scenery was great.

This is well worth seeing, and I for one can't wait for it to come out on DVD so I can 'Take it home'.

-- by doc